Man from Iota investigates the correspondence of time and the instance of man’s existence in it, and the desire for the unattainable freedom of flight, while being tethered to the rock of time and history, his own doing within it and his desire for quantifiable knowledge.

Man from Iota uses different mediums (moving image, sound, sculpture, and drawing) to engage, evolve, digress, correspond mimic and contest itself from the desire to paint a constantly fluctuating picture of the experiential world that is its canvas.